Tag Archives: Cinema

Mini Ursa 4k vs Fs5 4k

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Alrighty then! Before we get started let me make things clear. This isn’t a comparison between their performance out in the field or how their images compare in and after post-production. There are many comparisons out there that go in depth about that kind of stuff.

My friend, let’s call him Marcus, and I usually debate different cameras that we are interested in. We don’t usually see eye to eye which leads to fun arguments. These two cameras are among the two that we have talked about recently. I hope this argument helps you in some way if you are in the market for a new piece of gear. Don’t worry, at the end of this you’ll be able to give us your own opinion.

So let’s do this!
Here we have the Blackmagic Ursa Mini 4k vs the Sony PXW-FS5. I do not want to get into the small details of each (that’s why I embedded the links to their specs) but, in order to continue I have to at least list some highlights of each.

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Sony FS5:

  • 4k Super 35mm Sensor 3840 x 2160
  • 14 stops of Dynamic Range
  • E mount (adaptable to various lens mounts)
  • Various outputs including HDMI and SDI connections
  • 2 XLR input connections
  • Variable Neutral Density filters built in
  • Super slow motion up to 960 fps

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Mini Ursa:

  • 4k super 35mm sensor 3840 x 2160
  • 12 stops of Dynamic Range
  • Canon EF-mount and PL-mount options
  • XLR and SDI connections
  • Raw Capabilities
  • Magnesium body construction

Now, depending on the kind of work that you are interested in doing might lead you to choose one camera over the other. In my case, adaptability and functionality are the two points I look for in gear since I do various types of work. Marcus is mainly focused on suspensive minimalist narrative cinema.

The Sony FS5 would be my tool of choice. With a 4k super 35mm sensor and 14 stops of Dynamic Range, it lends itself to very impressive images that hold up to higher end cameras while costing a fraction of the price to run. I think it is important to go into a project with the ability to get the best image you can while staying under budget and this camera fits that. I’m pretty finicky when it comes to lens choice and I like having the ability to switch between different lenses depending on the project if I am able to. Like anyone will tell you, there is no master lens. Each lens serves a purpose and lends its specific lens qualities to what you film. The E-mount is a joy to have. The mount allows for various lens adapters not only to increase lens choice, but also to allow you to grow without having to upgrade you camera so that you can use higher quality glass. The other highlights are just icing on the independent filmmaker cake. With so much competition in the industry, it is important to be able to adapt and be a jack of all trades at times.

As Marcus is not present, I will try my best to argue his side with as little bias as possible. The Ursa Mini is definitely a strong camera capable of producing strong work and for that reason it is a steal. A real bang for you buck camera. Like the Sony, the Ursa is equipped with a 4k super 35mm sensor that gives you that oh so special cinematic-look. It should be noted that there is also a 4.6k model available. Although it doesn’t give as much latitude as the Sony, at 12 stops, it is nothing to be frowned upon. The ability to shoot RAW definitely makes up for the lack of 2 stops. Luckily, it does give you the option to choose between an EF and PL mount. In reality, what other lens mounts do you really need? Whether your main intention is cinema or not, this camera is able to go from one type of project to the next without much effort. The magnesium body gives you that strong durable feel that comes with high end cinema cameras. On set, it is important to have high quality and strong gear. Unfortunately accidents do happen and you don’t want to have to worry about your gear falling apart on you in the middle of a shoot.

So what it boils down to is: What qualities and intentions do you have? We can sit here all day arguing over pros and cons, but it’s pointless when there are no right or wrong answers. In the end I guess this was a waste of time. Sorry. There is no winner…or maybe the winner is you. If this was helpful in choosing your next camera and keeps you working on your craft, you’re welcome. I accept thank you’s in the form of crudely drawn pictures of Rob Schneider.

Now vote and don’t forget to leave us a comment on what camera you’d prefer working with. We look forward to the results.

 

It’s not all nitrous and motor oil.

This past weekend I got the chance to experience Furious 7 in theaters. This, as you can no doubt tell from the title, is the seventh installment of The Fast and The Furious franchise. As such you can expect loads of loud noises, grungy textures and of course fast cars. Along with that and how the franchise has evolved since the first film, there is a shift away from the importance of the cars and how they drive the story in order to make room for a more character driven story with family as the constant undertone.

As Vin Diesel says, “This time it ain’t just about being fast.” It’s true in this film. If you are looking for film focusing on cars then go to Disney. Although there are awesome and entertaining scenes, the real story lies on the foundation of brotherhood. Even if cars aren’t the main focus point, it does a great job expressing car culture in that it is tightly knit community. Being a huge car fan I was in a way disappointed in not seeing cars going particularly fast at all, but as a filmmaker I enjoyed the roles they played in helping tell the real story.

That being said there are things I liked and disliked about it. The character development is almost nonexistent. The only way I can truthfully say that there is a decent change is if I put all of the films together from the first film to the last. By itself there is not much to say. Dialogue was not completely there. Mostly it consisted of cliché one-liners. If I’m honest, they are cool while watching the film. There were also camera shots that took me out of some of the action scenes. There was a lot of spinning movements, which made me feel disoriented as if I was rolling down a hill. There were a few other things but going on will only lead to me nitpicking. In short, if you are looking for an Oscar winning experience then this might not be the film for you.

On the other side of the spectrum there are a lot of things this film does well. Like I said before, it has a great way of reaching out to many people besides those interested in cars. I’m sure many girls and even guys that went to watch the film in the theater I was in only went because they were dragged along on a date or with friends. Even so, I’m sure they without a doubt enjoyed it just as much as I did. Locations were picked out well. The filmmakers did a great job incorporating new locations such as Abu Dhabi and then also bringing it back to the past with Los Angeles. The sense of “home” is a huge bullet point helping tie everything together. I also thought the film did a great job at being a mixture of different genres and emotions. It’s an action-packed drama that will leave you feeling as if you nitrous running through your veins while also breaking even the strongest heart of any chassis.

Following that, we now arrive on what I enjoyed most about this film. Since the death of the dear Paul Walker, every fanatic and curious film watcher has wondered how the film was going to end up. Personally I thought they were going to scrap the film because they couldn’t complete this without a huge member missing and even if they did it wouldn’t reach its potential. I could not have been more wrong. This entire film was a tribute to Paul. The way they handled the story from beginning to end did a great honor to his memory. Every scene with him had me on the verge of tears knowing that he was no longer with us. By the end I was almost completely bawling my eyes out. The last couple of scenes are heart-wrenching goodbyes to a great man. I don’t want to give away too much, but the metaphorical references along with a touching montage really make this film for me.

For many, this film is going to be passed off as an action film with little storyline and they might be right. This isn’t a film for everyone. It fails in a couple categories. What it does do very well is exemplify how action and drama can blend completely well together. It incorporates metaphors, thrilling action scenes, comedic elements, and stimulating images into a film that is proving to be a hit with audiences everywhere. With incredible box office numbers proving the popularity, Furious 7 is no longer a guilty pleasure. No, this is probably not going to win an Oscar. It will, however, win a place in our hearts where it will stay forever.